"Requiem: Pie Jesu" by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg was released on March 3, 2023. The duration of Requiem: Pie Jesu is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Requiem: Pie Jesu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg, Andrew Thompson's "Matthew Coleridge: Requiem" album is number 4 out of 14. Based on our statistics, Requiem: Pie Jesu's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: Pie Jesu by Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Et In Terra Pax | Camilla Voigt, Camilla Voigts Damkör, Karin Dahlberg | G Minor | 4 | 6A | 82 BPM | ||
Psalm 149 | Wells Cathedral Choir, Rupert Gough | C Major | 0 | 8B | 131 BPM | ||
Rubrics: IV. The Peace May Be Exchanged | Dan Locklair, Simon Earl | D Major | 0 | 10B | 120 BPM | ||
Ourania (2021 Orchestral Version) | Elena Pavlea, April Fredrick, Southern Sinfonia, Simon Chalk | G Minor | 2 | 6A | 172 BPM | ||
Trois jours de vendange | Reynaldo Hahn, Véronique Gens, Susan Manoff | E♭ Minor | 1 | 2A | 73 BPM | ||
Quia fecit | Claudio Monteverdi, Southern Sinfonia, Rodolfus Choir, The English Cornet & Sackbut Ensemble, Margaret Faultless, Ralph Allwood | D Minor | 1 | 7A | 86 BPM | ||
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen | D Major | 1 | 10B | 126 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Stabat Mater, FP 148: VII. Eja mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | E♭ Major | 3 | 5B | 182 BPM |
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