"Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego" by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 26 out of 50. Based on our statistics, Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: IV. Tremens factus sum ego by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio in F Major: I. Larghetto | Johann Gottlieb Graun, Il Gardellino | E Major | 1 | 12B | 89 BPM | ||
Sonata da camera in C Major, Op. 4, No. 1: II. Allegro | Johann Gottlieb Janitsch, Il Gardellino | F♯ Major | 1 | 2B | 68 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 1. Einleitung | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn | A♭ Minor | 0 | 1A | 114 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Furcht und Zagen, GWV 1102/11b: Aria da capo: Furcht und Zagen | Christoph Graupner, Miriam Feuersinger, Capricornus Consort Basel, Péter Barczi | B Minor | 0 | 10A | 78 BPM | ||
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 0 | 10A | 140 BPM | ||
Mass in D Major, Op. 86, B. 153: II. Gloria | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | D Major | 1 | 10B | 81 BPM | ||
The Lord is a sun and a shield: No. 2, Verse "Now I know that the Lord saveth his anointed" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | A Major | 1 | 11B | 133 BPM | ||
Sonata da camera in C Minor: III. Allegro assai | Johann Gottlieb Janitsch, Il Gardellino | E Minor | 2 | 9A | 137 BPM | ||
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM |
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