"Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus" by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen was released on April 3, 2020. With Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 30 out of 50. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei Deus by Niccolò Jommelli, Il Gardellino, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Sanctus | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Tenebrae Responsories - Matins Responsories for Good Friday: Nocturn II - Tamquam ad latronem | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | A♭ Major | 1 | 4B | 123 BPM | ||
Kommt her zu mir alle, TVWV 1:1008: XIV. 2. Chor: Kommt her zu mir alle | Georg Philipp Telemann, Hamburger Ratsmusik, Simone Eckert, Hanna Zumsande, Geneviève Tschumi, Mirko Ludwig, Klaus Mertens | A♭ Minor | 1 | 1A | 86 BPM | ||
Carissmini: Jephte: "Plorate, filii Israel" | Giacomo Carissimi, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | E Minor | 1 | 9A | 170 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Wer nur den Lieben Gott lasst walten (Choral) | Felix Mendelssohn, Gesine Adler, GewandhausChor, Leipzig Mendelssohn Orchestra, Gregor Meyer | D♭ Major | 1 | 3B | 74 BPM | ||
Scarlatti, D: Stabat Mater in C Minor: V. Sancta Mater, istud agas | Domenico Scarlatti, John Eliot Gardiner, English Baroque Soloists, The Monteverdi Choir | B♭ Major | 1 | 6B | 82 BPM | ||
Requiem in E-Flat Minor: I. Requiem et Kyrie | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov, Christoph Seidl | F♯ Major | 1 | 2B | 89 BPM |
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