"Furcht und Zagen, GWV 1102/11b: Aria da capo: Furcht und Zagen" by Christoph Graupner, Miriam Feuersinger, Capricornus Consort Basel, Péter Barczi was released on January 7, 2014. With Furcht und Zagen, GWV 1102/11b: Aria da capo: Furcht und Zagen being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Graupner, Miriam Feuersinger, Péter Barczi's "Graupner: Himmlische Stunden, selige Zeiten" album is number 9 out of 26. On top of that, Germany appears to be the country where this track was created. Furcht und Zagen, GWV 1102/11b: Aria da capo: Furcht und Zagen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Furcht und Zagen, GWV 1102/11b: Aria da capo: Furcht und Zagen by Christoph Graupner, Miriam Feuersinger, Capricornus Consort Basel, Péter Barczi to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sehet, welch ein Mensch, Judica (5. Sonntag der Passionszeit) GWV 1124/16: IX. Nr. 2 Accompagnato Ihr Menschen, kommt, seht diesen Menschen an | Christoph Graupner, Kirchheimer BachConsort, Florian Heyerick, Marie Luise Werneburg | D♭ Minor | 1 | 12A | 97 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Sonata No. 10 in B Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | B Minor | 4 | 10A | 120 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Sonata for Violin and Obbligato Harpsichord in G Minor, GWV 710: I. Largo | Christoph Graupner, Naomi Dumas, Caitlyn Koester | F♯ Minor | 1 | 11A | 177 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
The Fairy Queen, Z. 629, Act I: Rondeau | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | A Major | 1 | 11B | 154 BPM | ||
Hexachordum Apollinis: No. 4 in G Minor, Aria & 6 Variations, P. 196 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM |
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