"O, wenn des Mondes Strahlen leise gleiten" by Arnold Schoenberg, Soile Isokoski, Esa-Pekka Salonen, Philharmonia Orchestra was released on October 6, 2009. The duration of O, wenn des Mondes Strahlen leise gleiten is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. O, wenn des Mondes Strahlen leise gleiten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arnold Schoenberg, Philharmonia Orchestra, Esa-Pekka Salonen's "Gurrelieder" album is number 3 out of 22. In terms of popularity, O, wenn des Mondes Strahlen leise gleiten is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O, wenn des Mondes Strahlen leise gleiten by Arnold Schoenberg, Soile Isokoski, Esa-Pekka Salonen, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto, Op. 20: II. Andante | Ruth Gipps, Juliana Koch, BBC Philharmonic, Rumon Gamba | A Minor | 1 | 8A | 120 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Pelléas und Mélisande, Op. 5: II. Heftig | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 3 | 8A | 83 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Moses und Aron / Act II: Frei unter eigenen Herren (Ephraimit, Stammesfürsten, Chor, Jüngling) | Arnold Schoenberg, Pär Lindskog, Michael Devlin, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM |
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