Woodland Sketches, Op. 51: No. 1: To a Wild Rose
Edward MacDowell, James Barbagallo
Macdowell: Woodland Sketches / Fireside Tales / New England Idyls
1:31 March 2, 1994
BPM
87
Key
A Major
Camelot
11B

Embed

Share Link

Woodland Sketches, Op. 51: No. 1: To a Wild Rose - Edward MacDowell, James Barbagallo Information

Acousticness
100%
Danceability
36%
Energy
0%
Instrumentalness
88%
Liveness
7%
Loudness
36%
Speechiness
5%
Valence
20%
Popularity
Loudness
-38.569 dB

Summary

Edward MacDowell, James Barbagallo's 'Woodland Sketches, Op. 51: No. 1: To a Wild Rose' came out on March 2, 1994. With Woodland Sketches, Op. 51: No. 1: To a Wild Rose being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 1 out of 34. Woodland Sketches, Op. 51: No. 1: To a Wild Rose is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Woodland Sketches, Op. 51: No. 1: To a Wild Rose BPM

We consider the tempo marking of Woodland Sketches, Op. 51: No. 1: To a Wild Rose by Edward MacDowell, James Barbagallo to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Woodland Sketches, Op. 51: No. 1: To a Wild Rose Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto in G Major, M. 83: 1. Allegramente by Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio AbbadoPiano Concerto in G Major, M. 83: 1. AllegramenteMaurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio AbbadoG Major29B141 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
16 Waltzes, Op. 39: No. 15 In A Flat Major by Johannes Brahms, Idil Biret16 Waltzes, Op. 39: No. 15 In A Flat MajorJohannes Brahms, Idil BiretA♭ Major04B68 BPM
To a Water Lily, Op.51, No.6 by Edward MacDowell, Joseph CooperTo a Water Lily, Op.51, No.6Edward MacDowell, Joseph CooperF♯ Major02B49 BPM
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato by Bedřich Smetana, Jitka Čechová6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. ModeratoBedřich Smetana, Jitka ČechováA Minor08A66 BPM
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento by Ottorino Respighi, Konstantin Scherbakov3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto LentoOttorino Respighi, Konstantin ScherbakovA♭ Minor01A70 BPM
Heavenly Romanticism by Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore KucharHeavenly RomanticismBéla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore KucharF Major07B96 BPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"Felix Mendelssohn, Daniel BarenboimG Minor06A82 BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land"Ralph Vaughan Williams, Gerald Peregrine, Antony InghamD Minor07A81 BPM
Three Pieces from 'Woodland Sketches', Op.51: From Uncle Remus by Edward MacDowell, Camarata Orchestra, Alfonzo D’Artega, Arturo Chaite, Charles Williams, Dolfvan der Linden, Don Felipe, Elliott Mayes, Felix King, Frederic Curzon, George Liberace, George Melachrino, Georges Devereaux, Hans May, Jackie Brown, Leighton Lucas, Monty Kelly, Ray Ventura, Reg Owen, Robert Farnon, Sidney Torch, Alfonzo D'Artega Orchestra, Arturo Chaite Orchestra, Danish State Radio Orchestra, Dolf van der Linden Metropole Orchestra, Dolf van der Linden Orchestra, Don Felipe Cuban Caballeros, Felix King Orchestra, George Liberace Orchestra, George Melachrino Orchestra, Harmonic Orchestra, Jackie Brown Orchestra, Lansdowne Light Orchestra, Leighton Lucas Orchestra, London Promenade Orchestra, L'Orchestre Devereaux, The Monty Kelly Orchestra, New Century Orchestra, New Concert Orchestra, Queen's Hall Light Orchestra, Ray Ventura OrchestraThree Pieces from 'Woodland Sketches', Op.51: From Uncle RemusEdward MacDowell, Camarata Orchestra, Alfonzo D’Artega, Arturo Chaite, Charles Williams, Dolfvan der Linden, Don Felipe, Elliott Mayes, Felix King, Frederic Curzon, George Liberace, George Melachrino, Georges Devereaux, Hans May, Jackie Brown, Leighton Lucas, Monty Kelly, Ray Ventura, Reg Owen, Robert Farnon, Sidney Torch, Alfonzo D'Artega Orchestra, Arturo Chaite Orchestra, Danish State Radio Orchestra, Dolf van der Linden Metropole Orchestra, Dolf van der Linden Orchestra, Don Felipe Cuban Caballeros, Felix King Orchestra, George Liberace Orchestra, George Melachrino Orchestra, Harmonic Orchestra, Jackie Brown Orchestra, Lansdowne Light Orchestra, Leighton Lucas Orchestra, London Promenade Orchestra, L'Orchestre Devereaux, The Monty Kelly Orchestra, New Century Orchestra, New Concert Orchestra, Queen's Hall Light Orchestra, Ray Ventura OrchestraF Major27B117 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6717262268066406

End: 0.6757676601409912