Edward MacDowell, James Barbagallo's 'Woodland Sketches, Op. 51: No. 1: To a Wild Rose' came out on March 2, 1994. With Woodland Sketches, Op. 51: No. 1: To a Wild Rose being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell's "Macdowell: Woodland Sketches / Fireside Tales / New England Idyls" album is number 1 out of 34. Woodland Sketches, Op. 51: No. 1: To a Wild Rose is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Woodland Sketches, Op. 51: No. 1: To a Wild Rose by Edward MacDowell, James Barbagallo to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 141 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
To a Water Lily, Op.51, No.6 | Edward MacDowell, Joseph Cooper | F♯ Major | 0 | 2B | 49 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Three Pieces from 'Woodland Sketches', Op.51: From Uncle Remus | Edward MacDowell, Camarata Orchestra, Alfonzo D’Artega, Arturo Chaite, Charles Williams, Dolfvan der Linden, Don Felipe, Elliott Mayes, Felix King, Frederic Curzon, George Liberace, George Melachrino, Georges Devereaux, Hans May, Jackie Brown, Leighton Lucas, Monty Kelly, Ray Ventura, Reg Owen, Robert Farnon, Sidney Torch, Alfonzo D'Artega Orchestra, Arturo Chaite Orchestra, Danish State Radio Orchestra, Dolf van der Linden Metropole Orchestra, Dolf van der Linden Orchestra, Don Felipe Cuban Caballeros, Felix King Orchestra, George Liberace Orchestra, George Melachrino Orchestra, Harmonic Orchestra, Jackie Brown Orchestra, Lansdowne Light Orchestra, Leighton Lucas Orchestra, London Promenade Orchestra, L'Orchestre Devereaux, The Monty Kelly Orchestra, New Century Orchestra, New Concert Orchestra, Queen's Hall Light Orchestra, Ray Ventura Orchestra | F Major | 2 | 7B | 117 BPM |
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