Heitor Villa-Lobos, Kazuhito Yamashita's ' "12の練習曲 / 第8番 嬰ハ短調" was released on its scheduled release date, February 2, 2022. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 山下和仁の芸術[3]ヴィラ=ロボス&ポンセ傑作集, so we believe that "12の練習曲 / 第8番 嬰ハ短調" is a single. Based on our statistics, 12の練習曲 / 第8番 嬰ハ短調's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 12の練習曲 / 第8番 嬰ハ短調 by Heitor Villa-Lobos, Kazuhito Yamashita is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Romance, Op. 23 (Violin and Piano) | Amy Beach, Romantic Chamber Group of London | A Major | 0 | 11B | 97 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent | Erik Satie, Sean Shibe | D Minor | 0 | 7A | 133 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
12 Concertos, Op. 3 "L'estro armonico", Concerto No. 10 in B Minor for 4 Violins and Cello (Arr. P. Romero for 4 Guitars): IIb. Larghetto | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero, San Antonio Symphony Orchestra, Victor Alessandro | B Minor | 2 | 10A | 100 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM |