"Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent" by Erik Satie, Sean Shibe was released on August 20, 2021. The duration of Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Sean Shibe: Satie". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gnossiennes (Arr. S. Shibe for Guitar): No. 3, Lent by Erik Satie, Sean Shibe having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E Minor | 1 | 9A | 86 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Waltz No. 14 in E Minor, KK IVa (Version for Harp in E Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Major | 1 | 4B | 132 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | ||
Trois Gymnopédies: lll. "Lent et grave" | Erik Satie, Peter Dickinson | A Minor | 0 | 8A | 78 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | A Major | 0 | 11B | 76 BPM | ||
Gymnopédie No. 1 (Arr. for Cello and Guitar) | Erik Satie, Jan Vogler | G Major | 2 | 9B | 95 BPM |
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