"14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano)" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason was released on October 22, 2021. With this song being about 5 minutes long, at 4:37, "14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano)" by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Rachmaninoff: 14 Romances, Op. 34: No. 1, The Muse only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. 14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 14 Romances, Op. 34: No. 1, The Muse (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude II | Edmund Finnis, Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Menuets, RCT 6/3-4 | Jean-Philippe Rameau, Bruce Liu | G Major | 0 | 9B | 78 BPM | ||
Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
Cello Concerto in F Major, RV412: 2. Larghetto | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | D Minor | 1 | 7A | 51 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Piano Sonata in G Minor: 2. Adagio | Clara Schumann, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 137 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: I. Andante | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 0 | 9B | 138 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
No Woman, No Cry (Arr. Kanneh-Mason) | Sheku Kanneh-Mason | D Major | 0 | 10B | 80 BPM | ||
Piano Sonata in E-Flat Minor, Op. 26: IV. Fuga. Allegro con spirito | Samuel Barber, Isata Kanneh-Mason | B Major | 3 | 1B | 116 BPM |
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