Sheku Kanneh-Mason's 'No Woman, No Cry (Arr. Kanneh-Mason)' came out on January 5, 2018. The duration of No Woman, No Cry (Arr. Kanneh-Mason) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. No Woman, No Cry (Arr. Kanneh-Mason)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bob Marley: No Woman, No Cry (Arr. Cello) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. No Woman, No Cry (Arr. Kanneh-Mason) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of No Woman, No Cry (Arr. Kanneh-Mason) by Sheku Kanneh-Mason is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopedie | Richard Mollenbeck | A Major | 1 | 11B | 64 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Pathetique | Kerrilyn Renshaw | A♭ Major | 2 | 4B | 130 BPM | ||
No Woman, No Cry (Arr. Kanneh-Mason) | Sheku Kanneh-Mason | D Major | 0 | 10B | 80 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Metamorphosis II (Arr. for Violin and Piano) | Philip Glass, Anne Akiko Meyers, Akira Eguchi, Kristjan Järvi, Philharmonia Orchestra | A Minor | 1 | 8A | 110 BPM | ||
Summer's End | Hiroshi Yamazaki | F Minor | 1 | 4A | 168 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Ellens dritter Gesang, D. 839 | Franz Schubert, François Salque, Claire-Marie Le Guay | B♭ Major | 0 | 6B | 80 BPM | ||
Suite Case per due violini: Wood (Moderato) | Giovanni Sollima, Stefano Barneschi, Chiara Zanisi | F♯ Major | 1 | 2B | 82 BPM |
Section: 0.5955286026000977
End: 0.5985651016235352