"7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana" by Manuel de Falla, David Desimpelaere, Erik Desimpelaere was released on February 2, 2018. The duration of 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Smile". In this album, this song's track order is #6. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana by Manuel de Falla, David Desimpelaere, Erik Desimpelaere having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 75 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Barcarolle Op. 65 No. 6 | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 67 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
3 Compositions, Op. 40 (version for cello and piano): Berceuse | Amy Beach, Steven Isserlis, Stephen Hough | D Major | 0 | 10B | 168 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Serenata andaluza | Benita Meshulam, Manuel de Falla, Peter Arts | A Major | 0 | 11B | 69 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 2 in F Major - Adagio cantabile | Franz Burgmüller, Anja Lechner, Pablo Marquez | F Major | 0 | 7B | 123 BPM |
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