"Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano)" by Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han was released on May 6, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Yoonie Han's "Love and Longing" album is number 1 out of 13. Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Yoonie Han to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Nocturne No. 13 in C Major “Rêverie-Nocturne”, H.45 | John Field, Elizabeth Joy Roe | C Major | 1 | 8B | 115 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | F Minor | 1 | 4A | 89 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Serse, HWV 40: Ombra mai fu (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | A♭ Major | 0 | 4B | 70 BPM | ||
Trois Romances sans paroles, Op. 17: 3. Andante moderato | Gabriel Fauré, Kun-Woo Paik | A♭ Major | 0 | 4B | 65 BPM |
Section: 0.5802185535430908
End: 0.5845077037811279