"Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp)" by Lavinia Meijer was released on March 20, 2015. With this song being about 5 minutes long, at 4:38, "Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp)" by Lavinia Meijer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Voyage by Lavinia Meijer. The song's track number on the album is #1 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) by Lavinia Meijer has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Consolations No. 3 in D Flat Major, S. 172: Lento Placido | Anita Emmery | D♭ Major | 1 | 3B | 78 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Min Kym | D Major | 1 | 10B | 95 BPM | ||
Thaïs: Meditation | Jules Massenet, LGT Young Soloists, Ludwig Balser, Milo Harper, Alexander Gilman | D Major | 2 | 10B | 114 BPM | ||
Three Jamaican Dances: No. 2 | William Chapman Nyaho | E Major | 0 | 12B | 117 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Song Without Words, Op. 109 | Felix Mendelssohn, Yo-Yo Ma, Kathryn Stott | D Major | 1 | 10B | 71 BPM |
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