George Frideric Handel, Martin Stadtfeld's 'Serse, HWV 40: Ombra mai fu (Arr. for Piano)' came out on November 8, 2019. The duration of Serse, HWV 40: Ombra mai fu (Arr. for Piano) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Serse, HWV 40: Ombra mai fu (Arr. for Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Martin Stadtfeld's "Handel Variations" album is number 3 out of 26. On top of that, Germany appears to be the country where this track was created. Serse, HWV 40: Ombra mai fu (Arr. for Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse, HWV 40: Ombra mai fu (Arr. for Piano) by George Frideric Handel, Martin Stadtfeld to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
La Muse-Plantine: 19ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | D Minor | 1 | 7A | 126 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Acis and Galatea, HWV 49a, Act II: Would You Gain The Tender Creature (Coridon) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Simon Berridge | A Major | 2 | 11B | 129 BPM | ||
Études, Op. 10: Etude No. 6 in E-Flat Minor, Op. 10, No. 6 | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 73 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM |
Section: 0.6305203437805176
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