3 Compositions, Op. 40 (version for cello and piano): Berceuse
Amy Beach, Steven Isserlis, Stephen Hough
Children's Cello
3:15 April 1, 2006
BPM
168
Key
D Major
Camelot
10B

Embed

Share Link

3 Compositions, Op. 40 (version for cello and piano): Berceuse - Amy Beach, Steven Isserlis, Stephen Hough Information

Acousticness
98%
Danceability
10%
Energy
1%
Instrumentalness
71%
Liveness
6%
Loudness
45%
Speechiness
4%
Valence
13%
Popularity
Loudness
-33.126 dB

Summary

"3 Compositions, Op. 40 (version for cello and piano): Berceuse" by Amy Beach, Steven Isserlis, Stephen Hough was released on April 1, 2006. The duration of 3 Compositions, Op. 40 (version for cello and piano): Berceuse is about 3 minutes long, at 3:15. Based on our data, "3 Compositions, Op. 40 (version for cello and piano): Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 30 in Children's Cello by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of 3 Compositions, Op. 40 (version for cello and piano): Berceuse is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

3 Compositions, Op. 40 (version for cello and piano): Berceuse BPM

The tempo marking of 3 Compositions, Op. 40 (version for cello and piano): Berceuse by Amy Beach, Steven Isserlis, Stephen Hough is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

3 Compositions, Op. 40 (version for cello and piano): Berceuse Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Simple Symphony, Op. 4: III. Sentimental Sarabande by Benjamin Britten, Camerata Nordica, Terje TonnesenSimple Symphony, Op. 4: III. Sentimental SarabandeBenjamin Britten, Camerata Nordica, Terje TonnesenG Minor06A85 BPM
Premier Nocturne, Op. 22 by Charles-Valentin Alkan, Michael LandrumPremier Nocturne, Op. 22Charles-Valentin Alkan, Michael LandrumB Major01B135 BPM
By the Still Waters, Op. 114 by Amy Beach, Joanne PolkBy the Still Waters, Op. 114Amy Beach, Joanne PolkE♭ Minor02A65 BPM
24 Préludes, Op.28: 15. In D Flat Major by Frédéric Chopin, Martha Argerich24 Préludes, Op.28: 15. In D Flat MajorFrédéric Chopin, Martha ArgerichD♭ Major03B95 BPM
La Scandinavie: III. Polska norvégien by Percy Grainger, Andreas Brantelid, Christian Ihle HadlandLa Scandinavie: III. Polska norvégienPercy Grainger, Andreas Brantelid, Christian Ihle HadlandD Major010B87 BPM
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino by Frédéric Chopin, Stanislav BuninImpromptu No. 2 in F-Sharp Major, Op. 36: AndantinoFrédéric Chopin, Stanislav BuninF♯ Major02B68 BPM
Piano Quintet in E-Flat Major, K. 452: III. Allegretto by Wolfgang Amadeus Mozart, Stephen Hough, Berlin Philharmonic Wind QuintetPiano Quintet in E-Flat Major, K. 452: III. AllegrettoWolfgang Amadeus Mozart, Stephen Hough, Berlin Philharmonic Wind QuintetF Major17B71 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851Daniel BarenboimD Minor17A129 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Cello Concerto No. 2 in D Major, Hob.VIIb:2: III. Allegro by Joseph Haydn, Steven Isserlis, Sir Roger NorringtonCello Concerto No. 2 in D Major, Hob.VIIb:2: III. AllegroJoseph Haydn, Steven Isserlis, Sir Roger NorringtonD Major110B79 BPM
ISRC
SEAEP0662170
Label
L-M Records/RCA Records

Section: 0.7277610301971436

End: 0.7319145202636719