"3 Compositions, Op. 40 (version for cello and piano): Berceuse" by Amy Beach, Steven Isserlis, Stephen Hough was released on April 1, 2006. The duration of 3 Compositions, Op. 40 (version for cello and piano): Berceuse is about 3 minutes long, at 3:15. Based on our data, "3 Compositions, Op. 40 (version for cello and piano): Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 30 in Children's Cello by Steven Isserlis. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of 3 Compositions, Op. 40 (version for cello and piano): Berceuse is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Compositions, Op. 40 (version for cello and piano): Berceuse by Amy Beach, Steven Isserlis, Stephen Hough is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
By the Still Waters, Op. 114 | Amy Beach, Joanne Polk | E♭ Minor | 0 | 2A | 65 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Piano Quintet in E-Flat Major, K. 452: III. Allegretto | Wolfgang Amadeus Mozart, Stephen Hough, Berlin Philharmonic Wind Quintet | F Major | 1 | 7B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Cello Concerto No. 2 in D Major, Hob.VIIb:2: III. Allegro | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | D Major | 1 | 10B | 79 BPM |
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