Sean Barrett's 'Life and Works: Mozart: Symphony No. 29 in A, K. 201 (mvt 4: Allegro con spirito)' came out on April 16, 2004. With this song being about 5 minutes long, at 4:43, "Life and Works: Mozart: Symphony No. 29 in A, K. 201 (mvt 4: Allegro con spirito)" by Sean Barrett is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 12 out of 61. In terms of popularity, Life and Works: Mozart: Symphony No. 29 in A, K. 201 (mvt 4: Allegro con spirito) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Life and Works: Mozart: Symphony No. 29 in A, K. 201 (mvt 4: Allegro con spirito) by Sean Barrett to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, Kammerorchester "Carl Philipp Emanuel Bach", Peter Schreier | B Minor | 5 | 10A | 127 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM |
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