Johann Sebastian Bach, Andrei Gavrilov made "Goldberg Variations, BWV 988: Aria" available on January 1, 1993. With this song being about 5 minutes long, at 4:48, "Goldberg Variations, BWV 988: Aria" by Johann Sebastian Bach, Andrei Gavrilov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Andrei Gavrilov's "J.S. Bach: Goldberg Variations" album is number 1 out of 32. On top of that, Germany appears to be the country where this track was created. The popularity of Goldberg Variations, BWV 988: Aria is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Goldberg Variations, BWV 988: Aria by Johann Sebastian Bach, Andrei Gavrilov to be Presto (very, very fast) because the track has a tempo of 180 BPM, a half-time of 90BPM, and a double-time of 360 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto In G Minor: 2. Adagio | Georg Matthias Monn, Jian Wang, Camerata Salzburg | E♭ Major | 0 | 5B | 81 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: III. Courante | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 112 BPM | ||
Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Deux Arabesques L. 66: No. 1 Andante con moto | Claude Debussy, Zoltán Kocsis | E Major | 0 | 12B | 70 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM |
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