"Cello Concerto In G Minor: 2. Adagio" by Georg Matthias Monn, Jian Wang, Camerata Salzburg was released on January 1, 2003. Since Cello Concerto In G Minor: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 12 in Boccherini / Couperin / Frescobaldi / Monn: Cello Concertos by Jian Wang, Camerata Salzburg. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cello Concerto In G Minor: 2. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto In G Minor: 2. Adagio by Georg Matthias Monn, Jian Wang, Camerata Salzburg is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello Solo No. 1 in G, BWV 1007: 5. Menuet I-II | Johann Sebastian Bach, Jian Wang | B Minor | 1 | 10A | 75 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Berceuse, Op. 16 (Version For Violin And Piano) | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM | ||
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Arthur Grumiaux, György Sebök | A Major | 2 | 11B | 82 BPM | ||
Scottish Fantasy/Schottische Fantasie, Op. 46: Introduction: Grave; Allegro cantabile | Max Bruch, Sir Malcolm Sargent, Jascha Heifetz, Osian Ellis | D Major | 1 | 10B | 107 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Leonard Elschenbroich, Alexei Grynyuk | E♭ Major | 0 | 5B | 90 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 149 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM |
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