Max Bruch, Sir Malcolm Sargent, Jascha Heifetz, Osian Ellis's 'Scottish Fantasy/Schottische Fantasie, Op. 46: Introduction: Grave; Allegro cantabile' came out on 1961. Since Scottish Fantasy/Schottische Fantasie, Op. 46: Introduction: Grave; Allegro cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Conciertos Para Violin by Max Bruch, Jascha Heifetz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Scottish Fantasy/Schottische Fantasie, Op. 46: Introduction: Grave; Allegro cantabile is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scottish Fantasy/Schottische Fantasie, Op. 46: Introduction: Grave; Allegro cantabile by Max Bruch, Sir Malcolm Sargent, Jascha Heifetz, Osian Ellis is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Flute Concerto in D Major, RV 429: II. Largo | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 0 | 10B | 131 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro | Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida Thompson | G Minor | 4 | 6A | 141 BPM | ||
Violin Concerto No. 9 in G Major, Op. 8: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Takako Nishizaki, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D Major | 1 | 10B | 137 BPM | ||
Légende op. 17 | Henryk Wieniawski, Ray Chen | G Minor | 1 | 6A | 63 BPM | ||
Serenade in A Minor, Op. 75: III. (Notturno): Andante sostenuto | Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 0 | 11B | 71 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM |
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