Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine's 'Carmen Fantasy, Op. 25: III. Allegro moderato' came out on January 1, 1993. The duration of Carmen Fantasy, Op. 25: III. Allegro moderato is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Fantasy, Op. 25: III. Allegro moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen Fantasy, Op. 25: III. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op. 25: III. Allegro moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition (Orch. Ravel): 6. Samuel Goldenberg und Schmuÿle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Minor | 1 | 11A | 114 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 4 in F Minor for solo violin, RV297 "L'Inverno": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Minor | 2 | 4A | 87 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 4. Saltarello (Presto) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Violin Concerto in A minor, Op.53: 3. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | A Major | 1 | 11B | 137 BPM | ||
Vocalise, Op. 34 No. 14 (Arr. for Violin and Piano) | Sergei Rachmaninoff, Lisa Batiashvili, Hélène Grimaud | E Minor | 0 | 9A | 130 BPM | ||
Lalo: Symphonie espagnole in D Minor, Op. 21: III. Intermezzo - Allegretto non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | A Minor | 1 | 8A | 172 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso | Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall | E♭ Minor | 4 | 2A | 119 BPM | ||
Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM |
Section: 0.6905436515808105
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