Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall made "3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso" available on January 1, 2006. With 3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Trusler's "Gershwin, G.: Porgy and Bess Suite / 3 Preludes / Antheil, G.: Violin Sonata No. 2 / Copland, A.: 2 Pieces (Trusler, Marshall) (Blues)" album is number 16 out of 16. In terms of popularity, 3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 3 Preludes (arr. J. Heifetz): No. 3. Allegro ben ritmato e deciso by Jascha Heifetz, George Gershwin, Matthew Trusler, Wayne Marshall to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 102: No. 3 Presto (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | C Major | 4 | 8B | 78 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
3 Klavierstucke, Op. 11: No. 1. Massig | Arnold Schoenberg, Karim Said | A Major | 0 | 11B | 127 BPM | ||
Piano Quintet in E flat, Op. 44: 1. Allegro brillante | Robert Schumann, Menahem Pressler, Emerson String Quartet | A Major | 2 | 11B | 103 BPM | ||
Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM |
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