Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo)
Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini
Pergolesi and Scarlatti: Stabat Mater
2:02 2000
BPM
80
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) - Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini Information

Acousticness
97%
Danceability
39%
Energy
2%
Instrumentalness
1%
Liveness
35%
Loudness
65%
Speechiness
5%
Valence
6%
Popularity
Loudness
-20.969 dB

Summary

"Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo)" by Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini was released on 2000. The duration of Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pergolesi and Scarlatti: Stabat Mater". In this album, this song's track order is #14. Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) BPM

With Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) by Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) Key

F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Delizie contente by Francesco Cavalli, Cecilia Bartoli, György FischerDelizie contenteFrancesco Cavalli, Cecilia Bartoli, György FischerF Minor14A92 BPM
Mori, mi dici (II) by Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo BellottoMori, mi dici (II)Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo BellottoB♭ Minor03A110 BPM
Flute Sonata in E Minor: II. Allegro assai by Frederick the Great, Berliner Barock CompagneyFlute Sonata in E Minor: II. Allegro assaiFrederick the Great, Berliner Barock CompagneyE♭ Minor02A120 BPM
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro by Francesco Geminiani, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in D Minor, Op. 2, No. 5: II. AllegroFrancesco Geminiani, Capella Istropolitana, Jaroslav KrcekD Minor27A110 BPM
A Ground in D Minor for Recorder by Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien MarqA Ground in D Minor for RecorderGodfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien MarqD Major010B102 BPM
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice by Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke'sSu le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - VoiceAlessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke'sD Major210B84 BPM
Maddalena ai piedi di Cristo: No. 1 Sinfonia by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara BanchiniMaddalena ai piedi di Cristo: No. 1 SinfoniaAntonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara BanchiniA♭ Major24B170 BPM
Prima d’esservi infedele, H. 578: Recitativo. Ma se con bella fede by Alessandro Scarlatti, Valeria La Grotta, Quartetto VanvitelliPrima d’esservi infedele, H. 578: Recitativo. Ma se con bella fedeAlessandro Scarlatti, Valeria La Grotta, Quartetto VanvitelliD♭ Major33B95 BPM
Orontea: Intorno all'idol mio by Antonio Cesti, Cecilia Bartoli, György FischerOrontea: Intorno all'idol mioAntonio Cesti, Cecilia Bartoli, György FischerE Minor09A104 BPM
Concerto in E Minor: I. Adagio e staccato by Benedetto Marcello, Concerto Italiano, Rinaldo AlessandriniConcerto in E Minor: I. Adagio e staccatoBenedetto Marcello, Concerto Italiano, Rinaldo AlessandriniB Major01B132 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5718779563903809

End: 0.5759153366088867