"Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo)" by Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini was released on 2000. The duration of Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pergolesi and Scarlatti: Stabat Mater". In this album, this song's track order is #14. Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: No. 2, Cujus animam gementem. Moderato e dolce (Canto solo) by Alessandro Scarlatti, Gemma Bertagnolli, Concerto Italiano, Rinaldo Alessandrini having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | D Major | 2 | 10B | 84 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Prima d’esservi infedele, H. 578: Recitativo. Ma se con bella fede | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | D♭ Major | 3 | 3B | 95 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Concerto in E Minor: I. Adagio e staccato | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | B Major | 0 | 1B | 132 BPM |
Section: 0.5718779563903809
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