Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's made "Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice" available on April 21, 1992. The duration of Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 23 in Baroque Duet by Wynton Marsalis. Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 8. Aria - Sinfonia. Grave (da capo) - Voice by Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
from 7 Arie con Tromba Sola: 1. Si suoni la tromba - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 2 | 10B | 145 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Sonata for Cello and b.c. in D Minor: III. Largo | Alessandro Scarlatti, Ensemble Mvsica Perdvta, Renato Criscuolo | F♯ Minor | 2 | 11A | 97 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Cain overo Il primo omicidio, IAS 40, Parte Prima: Duetto “La fraterna amica pace” (Abel, Caino) | Alessandro Scarlatti, Graciela Oddone, Bernarda Fink, Akademie für Alte Musik Berlin, René Jacobs | A♭ Major | 1 | 4B | 78 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM |
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