"Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande"" by Richard Wagner, Victor Braun, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1971. The duration of Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Tannhäuser by Richard Wagner, Helga Dernesch, René Kollo, Sir Georg Solti, Wiener Philharmoniker. The song's track number on the album is #5 out of 34 tracks. Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande" by Richard Wagner, Victor Braun, Wiener Philharmoniker, Sir Georg Solti has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, WWV 70 - Paris version / Act 3: "Wie Todesahnung, Dämm'rung deckt die Lande" being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini | C Minor | 0 | 5A | 72 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (b) Wieder sehr breit - Etwas energischer im Tempo - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Minor | 2 | 4A | 69 BPM |
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