"Rigoletto / Preludio: Preludio" by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini had its release date on January 1, 1980. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Rigoletto / Preludio: Preludio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #1 out of 34 tracks. Rigoletto / Preludio: Preludio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Preludio: Preludio by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Rigoletto / Preludio: Preludio being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, June Anderson, Piero de Palma, Carlo de Bortoli, Roberto Scaltriti, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 77 BPM | ||
Gurrelieder / Pt. 3: XXII. Mixed Chorus: Seht die Sonne | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Dietrich Gerpheide, Arnold Schoenberg Chor, Erwin Ortner, Slovak Philharmonic Choir, Jan Rozehnal | E Major | 3 | 12B | 89 BPM | ||
Requiem, Op.48: 1. Introit et Kyrie (Chorus) | Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 139 BPM | ||
Die Landstreicher: Ouvertüre | Carl Michael Ziehrer, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM | ||
Bad'ner Mad'ln, Walzer, Op. 257 | Karel Komzák, Jr., Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM | ||
Lohengrin, WWV 75 / Act III: "Mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Waltraud Meier, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 117 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104 (Haas Edition): III. Scherzo. Bewegt. Trio. Nicht zu schnell. Keinesfalls schleppend | Anton Bruckner, Christian Thielemann, Wiener Philharmoniker | D♭ Major | 1 | 3B | 120 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM |