"Global Variations" by Nigel Hess, The London Symphonic Wind Orchestra was released on November 1, 1999. Since Global Variations is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Nigel Hess, The London Symphonic Wind Orchestra, Pupils of Daubeney Middle School, Bedford's "Hess: The Winds of Power" album is number 6 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Global Variations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Global Variations by Nigel Hess, The London Symphonic Wind Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Lament for the Wild Geese | Phil Coulter, James Galway | D Major | 1 | 10B | 78 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante | Wolfgang Amadeus Mozart, Matthias Kirschnereit, Bamberg Symphony, Frank Beermann | F Major | 0 | 7B | 70 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Suite - From "Rich And Famous") | Georges Delerue | A Major | 2 | 11B | 81 BPM | ||
The Victorian Kitchen Garden - Suite: Summer | Paul Reade, Emma Johnson, Skaila Kanga | E♭ Major | 0 | 5B | 135 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Ernst Ottensamer, Mozart Akademie, Johannes Wildner | D Major | 1 | 10B | 81 BPM |
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