"Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante" by Wolfgang Amadeus Mozart, Matthias Kirschnereit, Bamberg Symphony, Frank Beermann was released on December 31, 1999. Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Matthias Kirschnereit, Frank Beermann's "Mozart: Piano Concertos Vol. 3" album is number 5 out of 6. On top of that, Germany appears to be the country where this track was created. Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante by Wolfgang Amadeus Mozart, Matthias Kirschnereit, Bamberg Symphony, Frank Beermann to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo (Adapt. by Tamas Batiashvili for Violin and Orchestra) - NEW YORK | Antonín Dvořák, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | D♭ Major | 0 | 3B | 87 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Minuet No. 1 in G Major (Formerly Attrib. J.S. Bach as BWV Anh. 114) | Lang Lang | G Major | 1 | 9B | 119 BPM | ||
Piano Concerto No. 2 in F minor, Op. 21: II. Larghetto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 0 | 4B | 102 BPM | ||
Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Gabriel Fauré, Amy Dickson, Chris Walden, London Session Orchestra | F♯ Minor | 1 | 11A | 117 BPM | ||
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM |
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