"The Victorian Kitchen Garden - Suite: Summer" by Paul Reade, Emma Johnson, Skaila Kanga had its release date on January 1, 1992. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 29 in Encores by Emma Johnson, Julius Drake, Skaila Kanga. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Victorian Kitchen Garden - Suite: Summer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Victorian Kitchen Garden - Suite: Summer by Paul Reade, Emma Johnson, Skaila Kanga is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
The Moon (version for strings) | William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber | G Minor | 2 | 6A | 79 BPM | ||
Tribute to Benny Goodman | George Gershwin, Ira Gershwin, Emma Johnson, John Lenehan | E♭ Major | 3 | 5B | 95 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Sleepers, Awake! | Johann Sebastian Bach, The New Symphony Orchestra Of London, Raymond Agoult | E♭ Major | 1 | 5B | 76 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Concerto No. 2 in F minor for Clarinet and Orchestra, Op. 5: 1. Allegro | Bernhard Henrik Crusell, Edward Moore, Emma Johnson, English Chamber Orchestra, Sir Charles Groves | E♭ Major | 0 | 5B | 81 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Die tote Stadt / Act 1: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM |