"The Gadfly Suite, Op. 97a: No. 8 Romance" by Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin was released on September 19, 2014. The Gadfly Suite, Op. 97a: No. 8 Romance is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Under the Stars". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Gadfly Suite, Op. 97a: No. 8 Romance's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Gadfly Suite, Op. 97a: No. 8 Romance by Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): I. Largo | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Major | 0 | 8B | 96 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): II. Moderato con moto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 125 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 0 | 6B | 89 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM |
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