"Scheherazade, Op.35: The Young Prince and the Young Princess" by Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2002. Scheherazade, Op.35: The Young Prince and the Young Princess appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Rimsky-Korsakov: Scheherazade". In this album, this song's track order is #3. Scheherazade, Op.35: The Young Prince and the Young Princess is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op.35: The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, Sergei Levitin, Mariinsky Orchestra, Valery Gergiev having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Act IV Scene 2: The Lord promised those who seek (Sirin, Alkonost, Chorus) | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E Major | 1 | 12B | 76 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM |
Section: 0.8029086589813232
End: 0.8076624870300293