Giovanni Battista Bassani, Ensemble StilModerno's 'Sonata No. 9 in C: III. Allegro' came out on December 11, 2012. With Sonata No. 9 in C: III. Allegro being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 52 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sonata No. 9 in C: III. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 9 in C: III. Allegro by Giovanni Battista Bassani, Ensemble StilModerno is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 1 in A Minor: II. Grave | Giovanni Battista Bassani, Ensemble StilModerno | E Minor | 1 | 9A | 173 BPM | ||
Sonata a 6 in A Minor, G. 14 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | C Major | 2 | 8B | 120 BPM | ||
Requiem: Te decet hymnus in Sion | Adam Václav Michna z Otradovic, Chorale franco-allemande de Paris, Bernard Lallement | G Major | 1 | 9B | 89 BPM | ||
Consort Music: Fantasy Suite à 4 (Fantasy - Alman - Corant) | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 1 | 4A | 117 BPM | ||
La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo | Jean-claude Saragosse, Giovanni Battista Bassani, La Fenice, Jean Tubéry | D♭ Major | 0 | 3B | 181 BPM | ||
Gott Hilf Mir, BuxWV 34: Gott, hilf mir | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Armonici entusiasmi di Davide, Op. 9, Psalm 121 "Laetatus sum": Psalm 121, "Laetatus sum": Laetatus sum in his quae dicta sunt mihi | Giovanni Battista Bassani, Alessandro Carmignani, Marcello Vargetto, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai | E Major | 1 | 12B | 81 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM |
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