"Sonata No. 1 in A Minor: II. Grave" by Giovanni Battista Bassani, Ensemble StilModerno was released on December 11, 2012. The duration of Sonata No. 1 in A Minor: II. Grave is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonata No. 1 in A Minor: II. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. The popularity of Sonata No. 1 in A Minor: II. Grave is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 in A Minor: II. Grave by Giovanni Battista Bassani, Ensemble StilModerno is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad pectus: Aria "Pectus mihi confer mundum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
Jesu meine Freude, TWV 1:966: VII. Wie binich doch so herzlich froh | Georg Philipp Telemann, Gutenberg Soloists, Neumeyer Consort, Felix Koch | F♯ Major | 1 | 2B | 95 BPM | ||
Ach, Herr, lehre doch mich | Wolfgang Carl Briegel, Vox Luminis, Lionel Meunier | B♭ Major | 1 | 6B | 106 BPM | ||
Water Music, Suite No.2, HWV 349: IV. [Rigaudon 1] | George Frideric Handel, B'Rock Orchestra, Dmitry Sinkovsky | F♯ Major | 2 | 2B | 131 BPM | ||
Gott Hilf Mir, BuxWV 34: Aria "Ach ja, mein Gott, ich hoff auf dich" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Motetto: Nascere dive puellule | Giovanni Battista Bassani, Le Parlement De Musique, Martin Gester, Salomé Haller, Mercedes Hernandez, Brigitte Vinson, Thierry Dagon, Stephan Van Dyck, Stephan Imboden | A♭ Minor | 1 | 1A | 125 BPM | ||
Deus in adjutorium a 4 voci | Giovanni Battista Bassani, Le Parlement De Musique, Martin Gester, Salomé Haller, Mercedes Hernandez, Brigitte Vinson, Thierry Dagon, Stephan Van Dyck, Stephan Imboden | F♯ Major | 2 | 2B | 95 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM | ||
Polonaise in F Major, BWV Anh. 117 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM |
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