Georg Muffat, Holland Baroque Society, Matthew Halls made "Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave" available on January 1, 2008. With Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Muffat, Matthew Halls, Holland Baroque Society's "Muffat: Auserlesene mit Ernst und Lust gemengte Instrumentalmusik" album is number 6 out of 38. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave by Georg Muffat, Holland Baroque Society, Matthew Halls to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Be Prepared | Leszek Możdżer, Holland Baroque | A Minor | 4 | 8A | 82 BPM | ||
Concerto in D Minor, BWV 974 (Arr. J. & T. Steenbrink for Chamber Ensemble): II. Adagio | Johann Sebastian Bach, Holland Baroque | D♭ Minor | 0 | 12A | 65 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata in B-Flat Major, Op. 2, No. 1, BuxWV 259: Allegro - | Dietrich Buxtehude, John Holloway, Jaap Ter Linden, Lars Ulrik Mortensen | A Major | 3 | 11B | 199 BPM | ||
Suite in C Minor: III. Borre | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Neuer Paduanen, et al, Teil 2: Paduan No. 3, à 5 (Arr. for Trumpet and Baroque Ensemble by Holland Baroque Society and Eric Vloeimans) | Andreas Hammerschmidt, Holland Baroque Society, Eric Vloeimans | A Major | 0 | 11B | 129 BPM | ||
Sonata terza in G minor, Parte Prima: III. Lento | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Neubrandenburg Concerto No. 1: IV. Presto (Transcr. By Harer, after Bach's Italian Concerto in F Major, BWV 971) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Major | 3 | 2B | 103 BPM | ||
King Arthur, Z. 628, Act II: No. 10, Introduction | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | D♭ Minor | 1 | 12A | 67 BPM |
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