Biber: Requiem a 15 in A Major: I. Introitus
Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra
Biber: Requiem a 15 & Vesperae a 32
7:03 January 1, 1994
BPM
138
Key
B♭ Major
Camelot
6B

Embed

Share Link

Biber: Requiem a 15 in A Major: I. Introitus - Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra Information

Acousticness
98%
Danceability
17%
Energy
7%
Instrumentalness
70%
Liveness
13%
Loudness
58%
Speechiness
4%
Valence
4%
Popularity
Loudness
-25.017 dB

Summary

"Biber: Requiem a 15 in A Major: I. Introitus" by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra was released on January 1, 1994. Since Biber: Requiem a 15 in A Major: I. Introitus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in Biber: Requiem a 15 & Vesperae a 32 by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Biber: Requiem a 15 in A Major: I. Introitus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Biber: Requiem a 15 in A Major: I. Introitus BPM

The tempo marking of Biber: Requiem a 15 in A Major: I. Introitus by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Biber: Requiem a 15 in A Major: I. Introitus Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. "Es ist vollbracht"Johann Sebastian Bach, Ton Koopman, Kai Wessel, Amsterdam Baroque OrchestraB♭ Minor03A108 BPM
Stabat Mater: VIII. Virgo virginum by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: VIII. Virgo virginumAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Stabat Mater: III. Quis est home by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: III. Quis est homeAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar LetzborViolin Sonata No. 2 in Dorian Mode, C. 139: IV. AdagioHeinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar LetzborA♭ Major14B66 BPM
Dido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome vales by Henry Purcell, La Nuova Musica, David Bates, Giulia SemenzatoDido and Aeneas, Z. 626, Act II: The Grove - Thanks to these lonesome valesHenry Purcell, La Nuova Musica, David Bates, Giulia SemenzatoF♯ Minor211A126 BPM
Mondonville: In exitu Israel: I. (b) Chœur. Mondonville: In exitu Israel: I. (b) Chœur. "In exitu Israel"Jean-Joseph Cassanéa De Mondonville, Emmanuelle HaïmF Major27B119 BPM
La parca by Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo FerniqueLa parcaCataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Léo FerniqueB♭ Minor03A110 BPM
Overture-Suite in D Major, TWV 55:D1: VI. Conclusion: Allegro - Adagio - Allegro by Georg Philipp Telemann, The English Concert, Trevor PinnockOverture-Suite in D Major, TWV 55:D1: VI. Conclusion: Allegro - Adagio - AllegroGeorg Philipp Telemann, The English Concert, Trevor PinnockD♭ Major33B118 BPM
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De NamurCéphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelleÉlisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De NamurF Minor14A75 BPM
Mystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: II. Allaman by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette SorrellMystery (Rosary) Sonata: No. 5 in A Major “The Finding of Jesus in the Temple”: II. AllamanHeinrich Ignaz Franz von Biber, Alan Choo, Jeannette SorrellB Major11B95 BPM
ISRC
FRZ209205901
Label
L-M Records/RCA Records

Section: 0.6224532127380371

End: 0.6259427070617676