"La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo" by Jean-claude Saragosse, Giovanni Battista Bassani, La Fenice, Jean Tubéry was released on 2002. The duration of La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 26 in Bassani: La Morte delusa by Giovanni Battista Bassani, Jean Tubéry. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Morte delusa: Lucifero: O dell'Erebo cieco ed orrendo by Jean-claude Saragosse, Giovanni Battista Bassani, La Fenice, Jean Tubéry is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum: III. Te per orbem terrarum | Giovanni Bononcini, Owen Rees, Academy of Ancient Music, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
In solitare arene | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Magnificat: VIII. Deposuit potentes | Francisco Guerrero, Núria Rial, Raúl Mallavibarrena | C Minor | 0 | 5A | 71 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM | ||
Te Deum in D Major, HWV 283, "Dettingen": All the earth doth worship Thee | George Frideric Handel, Dorothee Fries, Matthias Rexroth, Thomas Cooley, Raimund Nolte, Siegen Bach Choir Collegium, Friedemann Immer Trumpet Consort, Hanoverian Court Orchestra, Ulrich Stötzel | E♭ Major | 3 | 5B | 127 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: II. Ad genua. "Ad uber portabimini" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 100 BPM | ||
Dixit Dominus, RV 595: Donec ponam inimicos tuos: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 132 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM |
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