Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance - Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden Information

Acousticness: 95%
Danceability: 23%
Energy: 8%
Instrumentalness: 81%
Liveness: 14%
Loudness: 58%
Speechiness: 4%
Valence: 25%
Popularity: 1%
Loudness: -25.424 dB

Summary

Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden's 'Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance' came out on 2013. With Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #43. Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance BPM

With Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance by Richard Strauss, Rudolf Kempe, Paul Tortelier, Staatskapelle Dresden having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Strauss, R: Don Quixote, Op. 35: Theme. Don Quixote, Knight of the Sorrowful Countenance Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Zauberflöte, K.620: Overture	Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado	E♭ Major	1	5B	85 BPM
Requiem: I. Requiem Aeternam	Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea	A Minor	0	8A	85 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Symphony In D Minor: 2. Allegretto	César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel	A Major	2	11B	73 BPM
Requiem	Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon	A Minor	1	8A	60 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Salome, Op. 54 / Scene 3: "Wer ist dies Weib, das mich ansieht?"	Richard Strauss, Cheryl Studer, Clemens Bieber, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli	C Minor	1	5A	83 BPM
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato	Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra	A Major	3	11B	98 BPM
Symphony in C Minor, EG 119: II. Adagio espressivo	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	E Major	1	12B	78 BPM
Don Quixote, Op. 35, TrV 184: Variation III. Gespräche zwischen Ritter und Knappe	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	C Major	0	8B	134 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6053574085235596

End: 0.6101236343383789