"Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent" by Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra was released on September 8, 2014. The duration of Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent is about 3 minutes long, at 3:25. Based on our data, "Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Paris (SD)". In this album, this song's track order is #10. Based on our statistics, Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Satie / Arr. Barker & Balsom for Trumpet and Jazz Orchestra: 6 Gnossiennes: No. 3, Lent by Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Suite bergamasque, L. 75: III. Clair de Lune (Transcribed for Harp) | Lavinia Meijer | D♭ Major | 0 | 3B | 141 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Hummel: Trumpet Concerto in E-Flat Major, WoO 1: III. Rondo | Johann Nepomuk Hummel, Alison Balsom, Deutsche Kammerphilharmonie Bremen | E♭ Major | 4 | 5B | 149 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Je te veux | Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca | C Major | 1 | 8B | 76 BPM | ||
Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato | Gabriel Pierné, Lavinia Meijer | A♭ Major | 1 | 4B | 75 BPM | ||
Musica callada XXVIII / Impresiones intimas I | Federico Mompou, Anja Lechner, François Couturier | E Minor | 0 | 9A | 93 BPM | ||
A Collection of Old Scots Tunes: Busk ye busk ye my bonny bride (Arr. by Söllscher) | Francesco Barsanti, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 55 BPM |
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