"Songs My Mother Taught Me, Op.55 No.4" by Antonín Dvořák, Alisa Weilerstein, Anna Polonsky was released on January 1, 2014. The duration of Songs My Mother Taught Me, Op.55 No.4 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Songs My Mother Taught Me, Op.55 No.4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 9 in Dvořák by Antonín Dvořák, Alisa Weilerstein, Czech Philharmonic Orchestra, Jiří Bělohlávek, Anna Polonsky. In terms of popularity, Songs My Mother Taught Me, Op.55 No.4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs My Mother Taught Me, Op.55 No.4 by Antonín Dvořák, Alisa Weilerstein, Anna Polonsky is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
String Quintet in A Minor, Op. 1, B. 7: II. Lento | Antonín Dvořák, Ladislav Kyselák, Vlach Quartet Prague | A Minor | 1 | 8A | 82 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Dvorák: From the Bohemian Forest, Op. 68: V. Silent Woods | Antonín Dvořák, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | D♭ Major | 1 | 3B | 84 BPM |
Section: 0.8367767333984375
End: 0.842313289642334