"Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato" by Gabriel Pierné, Lavinia Meijer had its release date on January 1, 2011. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Spohr, Fauré, Pierné, Saint-Saëns & Roussel: Fantasies and Impromptus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Impromptu-caprice in A-Flat Major, Op. 9. Allegretto moderato by Gabriel Pierné, Lavinia Meijer having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Impromptu-Caprice, Op. 9 | Gabriel Pierné, Judy Loman | A♭ Major | 1 | 4B | 91 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
Piano Trio, Op. 11: 3. Lied. Allegretto | Fanny Mendelssohn, Seraphim Trio | D Major | 1 | 10B | 106 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Modérément lent | Gabriel Pierné, N/A, Daniel Esser, Jet Röling, Kees Hulsmann | F Major | 1 | 7B | 101 BPM | ||
Sonate Op. 64: II. Scherzo (Vivace) | Mel Bonis, Juliette Hurel, Hélène Couvert | E Minor | 1 | 9A | 87 BPM | ||
Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM |