"Götterdämmerung: III. "Prelude"" by Dan Ettinger & The Orchestra of National Theater Mannheim was released on October 23, 2011. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "Richard Wagner/Friedmann Dressler: The Symphonic Ring". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Götterdämmerung: III. "Prelude" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung: III. "Prelude" by Dan Ettinger & The Orchestra of National Theater Mannheim having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Pictures at an Exhibition: Tuileries | Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra | D Major | 0 | 10B | 137 BPM | ||
SBP | KNOXVILLETRACKZ | F♯ Major | 0 | 2B | 81 BPM | ||
Para chelo | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 84 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
交響曲第3番ヘ長調作品90 第2楽章:アンダンテ | ベルリン フィルハーモニー管弦楽団 | C Major | 1 | 8B | 76 BPM | ||
Götterdämmerung: Chorus of the Vassals | Dan Ettinger & The Orchestra of National Theater Mannheim | G Minor | 4 | 6A | 131 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: VI. Allegro assai | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM |
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