"Götterdämmerung: Chorus of the Vassals" by Dan Ettinger & The Orchestra of National Theater Mannheim was released on October 23, 2011. With Götterdämmerung: Chorus of the Vassals being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Richard Wagner/Friedmann Dressler: The Symphonic Ring". In this album, this song's track order is #11. Based on our statistics, Götterdämmerung: Chorus of the Vassals's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung: Chorus of the Vassals by Dan Ettinger & The Orchestra of National Theater Mannheim having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Springtime Suite: Noonday Song | Eric Coates, BBC Concert Orchestra, John Wilson | G Major | 1 | 9B | 64 BPM | ||
Serenade: I. Phaedrus. Pausanias. Lento and Allegro | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
Raymonda, Op. 57: Act I - Introduction - Premier tableau | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | C Minor | 0 | 5A | 76 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | B♭ Major | 2 | 6B | 73 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM |
Section: 0.6691195964813232
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