"Pictures at an Exhibition: Tuileries" by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra was released on November 15, 2023. With Pictures at an Exhibition: Tuileries being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "STEREORMANDY, Vol. V". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Based on our statistics, Pictures at an Exhibition: Tuileries's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition: Tuileries by Nikolai Rimsky-Korsakov, Eugene Ormandy, Philadelphia Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a theme of Paganini: Var. 7-10. Allegro vivace | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Prelude: In praise of the wilderness | Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov | E♭ Major | 7 | 5B | 127 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Hexapoda: No. 5, Till Dawn Sunday | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Neapolitanskaya pesenka (Neapolitan song), Op. 63 (version for piano 4-hands) | Nikolai Rimsky-Korsakov, Caroline Clemmow, Anthony Goldstone | G Major | 1 | 9B | 104 BPM | ||
Statements for Orchestra: I. Militant | Aaron Copland, London Symphony Orchestra | A♭ Major | 1 | 4B | 111 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: IV. Finale. Allegro vivace, giocoso | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
The Young Person's Guide to the Orchestra: Variation VII: Cellos | Benjamin Britten, Eugene Ormandy | B♭ Minor | 0 | 3A | 133 BPM |
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