"Anyone There? (From “the London Ripper”)" by Swen Fettermann was released on April 4, 2024. With Anyone There? (From “the London Ripper”) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Anyone There? (From “the London Ripper”) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Anyone There? (From “the London Ripper”) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Anyone There? (From “the London Ripper”) by Swen Fettermann is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso III | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): X. The Princess Notices the Puppet | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
And the Band Played On | The Regimental Band of the Coldstream Guards, Major Graham O. Jones | E♭ Major | 4 | 5B | 131 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Variation I | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | E Major | 1 | 12B | 106 BPM | ||
Histoire du soldat - Part 1: 1. Marche du soldat | Igor Stravinsky, London Sinfonietta, Riccardo Chailly | B Minor | 2 | 10A | 121 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
Fairytale Suite: The Ice Palace: Finale | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 143 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Brandt - Konzertstück No. 2 I | Vassily Brandt, Christian Lindberg, Sergei Nakariakov, Hercules Brass Ensemble | G Minor | 7 | 6A | 103 BPM |
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