Double Concerto "Dialogue": II. Episode I - David Gompper, Wolfgang David, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert Information

Acousticness: 89%
Danceability: 14%
Energy: 14%
Instrumentalness: 10%
Liveness: 50%
Loudness: 64%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -21.751 dB

Summary

"Double Concerto "Dialogue": II. Episode I" by David Gompper, Wolfgang David, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert was released on January 11, 2019. With Double Concerto "Dialogue": II. Episode I being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 11 in David Gompper: Double Concerto "Dialogue", Clarinet Concerto & Sunburst by David Gompper, Royal Philharmonic Orchestra, Emmanuel Siffert. Double Concerto "Dialogue": II. Episode I is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Double Concerto "Dialogue": II. Episode I BPM

The tempo marking of Double Concerto "Dialogue": II. Episode I by David Gompper, Wolfgang David, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Double Concerto "Dialogue": II. Episode I Key

D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending	Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra	B Major	0	1B	77 BPM
Novelletten, H. 44: I. Andante moderato	Frank Bridge, Esmé Quartet	E Major	5	12B	72 BPM
In the Same Space: VIII. Afternoon Sun	Jeremy Dale Roberts, John Muriello, David Gompper	F Minor	0	4A	83 BPM
Métaboles: I. Incantatoire	Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg	D♭ Major	1	3B	74 BPM
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato	Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger	E Major	1	12B	94 BPM
The Animals: American Buffalo	David Gompper, Stephen Swanson	A Major	2	11B	76 BPM
Dido and Aeneas, Z. 626: Dido's Lament (Arr. L. Stokowski)	Henry Purcell, Charles Rosekrans, Royal Philharmonic Orchestra	D♭ Major	0	3B	88 BPM
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune	Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra	E♭ Major	0	5B	82 BPM
Cello Concerto: II. Lethe	David Gompper, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert	A♭ Major	1	4B	65 BPM
Anyone There? (From “the London Ripper”)	Swen Fettermann	B♭ Major	1	6B	66 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7236614227294922

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