"Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending" by Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra was released on September 29, 2013. With Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 8 in Dvořák: Cello Concerto in B Minor, Op. 104; Cello Concerto in A Major by Antonín Dvořák, Steven Isserlis, Mahler Chamber Orchestra, Daniel Harding. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending by Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 5 in F Major, Op. 24 "Spring": II. Adagio molto espressivo | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | B♭ Major | 0 | 6B | 69 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: IV. Finale. Allegro vivace, giocoso | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
A Dark Waltz | Michael Berkeley, Hyeyoon Park, Benjamin Grosvenor | G Minor | 1 | 6A | 98 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Cello Sonata in G Minor, Op. 19: I. Lento - Allegro moderato | Sergei Rachmaninoff, Scott Kluksdahl, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
To the Joyful Solitary Wanderer - for violin piano duo | Shiuan Chang, William Wei, Evan Wong | A♭ Major | 0 | 4B | 148 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
In Moonlight: In Moonlight | Heino Eller, Andres Kaljuste, Sophia Rahman | E Major | 1 | 12B | 80 BPM | ||
Soledad (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | E Minor | 1 | 9A | 80 BPM |
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