"In the Same Space: VIII. Afternoon Sun" by Jeremy Dale Roberts, John Muriello, David Gompper was released on April 1, 2011. The duration of In the Same Space: VIII. Afternoon Sun is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. In the Same Space: VIII. Afternoon Sun's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Shades of Love: Four Cycles to the Poetry of Constantin Cavafy". In this album, this song's track order is #11. In the Same Space: VIII. Afternoon Sun is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With In the Same Space: VIII. Afternoon Sun by Jeremy Dale Roberts, John Muriello, David Gompper having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
暗い企み 偽りの取引 | 吉野裕司 | B Major | 2 | 1B | 124 BPM | ||
Threni, Lamentations of Jeremiah: II. De elegia prima | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Sam Furness, Joel Williams | G Minor | 0 | 6A | 140 BPM | ||
Release the (Fruit) Bats | David Whatson | E Major | 1 | 12B | 103 BPM | ||
For Bunita Marcus (1985): page 17 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: I | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM | ||
Cadenza on the Night Plain: Where Was Wisdom When We Went West? | Terry Riley, Kronos Quartet | G Major | 1 | 9B | 91 BPM | ||
Croquis, Cahier 2: Centering | Jeremy Dale Roberts, Kreutzer Quartet | F Major | 0 | 7B | 46 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Agon: Double Pas de quatre | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E Minor | 0 | 9A | 63 BPM |
Section: 0.8829920291900635
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