"Cello Concerto: II. Lethe" by David Gompper, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert was released on November 27, 2020. Since Cello Concerto: II. Lethe is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in David Gompper: Orchestral Works by David Gompper, Timothy Gill, Volkan Orhon, Royal Philharmonic Orchestra, Emmanuel Siffert. Cello Concerto: II. Lethe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto: II. Lethe by David Gompper, Timothy Gill, Royal Philharmonic Orchestra, Emmanuel Siffert is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wave of the Surging Thoughts: III. Song Without Words. Passion and Emotion | Daqun Jia, Jakub Haufa, Sinfonia Varsovia, Michał Klauza | F Major | 2 | 7B | 166 BPM | ||
Deep River (Arr. J. Lenehan for Clarinet & Piano) | Traditional, Helen Habershon, John Lenehan | E♭ Major | 0 | 5B | 63 BPM | ||
Sonata for Violin and Piano: Andante Semplice | Wolfgang David, David Gompper | G Major | 1 | 9B | 105 BPM | ||
Bernstein: Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue | Leonard Bernstein, Antonio Pappano, Beatrice Rana, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 2 | 9B | 113 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
Oration, Concerto elegiaco, H. 180: I. Poco lento – Lento e ritmico | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
Shaker Loops: II. Hymning Slews | John Adams, Oxalys | A Major | 0 | 11B | 61 BPM | ||
In the Same Space: VII. Gray | Jeremy Dale Roberts, John Muriello, David Gompper | G Major | 0 | 9B | 161 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
El amor brujo (Love, the Magician): En la cueva: La noche (In the Cave: The Night) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | A♭ Major | 0 | 4B | 89 BPM |
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