"Lehár: Gold und Silber, Op. 79" by Franz Lehár, Wiener Philharmoniker, Rudolf Kempe was released on August 9, 2010. Since Lehár: Gold und Silber, Op. 79 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rudolf Kempe's "Icon: Rudolf Kempe" album is number 10 out of 112. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Lehár: Gold und Silber, Op. 79 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lehár: Gold und Silber, Op. 79 by Franz Lehár, Wiener Philharmoniker, Rudolf Kempe to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Da geh ich zu Maxim | Rudolf Schock | D Major | 3 | 10B | 77 BPM | ||
Das Land des Lächelns / Act 1: Ein Lied verfolgt mich Tag und Nacht - Finale 1 | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | A Major | 2 | 11B | 80 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Alpine Rose - Polka Op. 127 | Eduard Strauss, Hallé, Bramwell Tovey | C Major | 0 | 8B | 112 BPM | ||
Wiener Frauen: XII. Szene "Wenn ich an gestern Abend" | Franz Lehár, Thomas Blondelle, Gerd Vogel, KS Josef Forstner, Marie-Luise Schottleitner, Susanna Hirschler, Elisabeth Zeiler, Klára Vincze, Marius Burkert, Franz Lehár Orchester | F Minor | 3 | 4A | 79 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM |
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