- BPM
- 132
- Key
- B Major
- Camelot
- 1B
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale - Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra Information
- Acousticness
- 92%
- Danceability
- 25%
- Energy
- 31%
- Instrumentalness
- 86%
- Liveness
- 35%
- Loudness
- 77%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 7%
- Loudness
- -13.522 dB
Summary
"Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale" by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra was released on 1996. Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 39 in the song's album "Swan Lake [Matthew Bourne version]". In this album, this song's track order is #39. Furthermore, we believe that the track originated from Germany. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale BPM
With Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale by Pyotr Ilyich Tchaikovsky, David Lloyd-Jones, The New London Orchestra having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 29, Finale Key
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | |
 | Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | |
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | |
 | Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | |
 | Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | |
 | Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | |
 | Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | C Major | 2 | 8B | 154 BPM | |
 | Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM |
- ISRC
- DEA809611439
- Label
- L-M Records/RCA Records
Section: 0.6343352794647217
End: 0.6387534141540527