"Violin Concerto No. 3: III. Vivo" by Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz was released on July 1, 2009. Since Violin Concerto No. 3: III. Vivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Bacewicz: Violin Concertos Nos. 1, 3 & 7 by Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No. 3: III. Vivo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 3: III. Vivo by Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Firebird Suite: Danse infernale | Igor Stravinsky, Zdeněk Košler, Slovak Philharmonic | D♭ Major | 1 | 3B | 90 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 2 | 11A | 69 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: I. Allegro con brio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 139 BPM | ||
String Quartet No. 3: II. Andante | Grazyna Bacewicz, Silesian String Quartet | F Major | 1 | 7B | 76 BPM | ||
String Quartet No. 4: I. Andante | Grazyna Bacewicz, Silesian String Quartet | F Major | 1 | 7B | 111 BPM | ||
Ich küsse Ihre Hand Madam - Arranged By Paul Bateman | Ralph Erwin, Piotr Beczala, Royal Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 103 BPM | ||
Narcisse et Echo, Op. 40: No. 23, Le jour commence a baisser | Nikolai Tcherepnin, Bamberg Symphony, Łukasz Borowicz | A♭ Major | 0 | 4B | 66 BPM |
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